‘Zarkana’ performers tumble during press preview
Coming off the heels of the flop that was Banana Shpeel, which ran just over a month at the Beacon Theatre last year, the Cirque du Soleil company would not want to see the performers of their highly-anticipated new production flopping on safety nets. Yet that is what happened at a press preview Tuesday at Radio City Music Hall for the new show Zarkana. Four times, performers in the acrobatic-heavy show fell off their trapeze and onto the net below.
“We all have bad days,” Zarkana’s creative director Line Tremblay said when she took the stage for a set of scheduled announcements from the Cirque du Soleil creative team. Tremblay appeared visibly embarrassed by the four falls, but writer/director Francois Girard followed her more confidently. “A few drops in the net is not going to stop us from showing you the best trapeze act,” Girard said.
The production still has some time to tighten its act—previews begin June 9 with the show set to open June 29. It is scheduled to run through October 8.
Aside from the four tumbles, which created a palpable awkwardness in the bowels of Radio City’s house, the sneak preview pf Cirque du Soleil’s newest creation was mildly exciting. When they weren’t falling, the acrobats made my stomach churn with their great leaps high above the stage. (It did no favors to my tummy, however, when they fell.)
The presentation began with a woman drawing ornate images in a pile of deep-blue sand, which was shown on a large video screen. Such acts display what the Cirque brand exceeds best at—stunts and effects that one could never imagine, yet thrill with their simplicity. Cirque du Soleil’s president and CEO Daniel Lamarre summed that quality up nicely when he took the stage after the first two acts. We’re a bunch of dreamers that like to push the boundaries of creativity,” Lamarre said.
The remaining acts presented didn’t clue me in as to whether Zarkana would be a success or not, as one was a hit and the other a miss (much like the first pair of performances—the imaginative sand painting and the butter-fingered acrobats). Act II, so to speak, began with a performance called “Pickled Funeral,” in which the performers pushed a large, circular video screen across the stage that projected the image of a carnival-freak baby with numerous arms. Really, that was all there was to “Pickled Funeral.” Then came “Banquine,” which featured an incredibly up-to-par team of dancers, who flung each other across the stage, playing a game of catch with their own castmates as the ball.
The Zarkana set by Stephane Roy is expansive, ornate, and slightly eerie, resembling the inner dungeons of a fairy-tale castle. One scene involved much use of spider webs, giving the show a Turn Off The Dark feel. The music, composed by Nick Littlemore, has a rock opera flare and is appropriately overdramatic, matching the Cirque brand.
Zarkana may have gotten off to a shaky start for the audience of invited press and sponsors, but it has some time to fine-tune its act for paying audiences. As Lamarre stated to the audience, “At the end of the day, the public will judge.”
Are you excited to see Zarkana, Rushers? What do you think about the four acrobatic falls? Do you think they can pull it together in time for the opening, or is Cirque du Soleil slipping on a Banana Shpeel again? Leave your thoughts in the comments below!