The hardknock life of Americans battered down by lean financial times gets the musical treatment in the new show Hands on a Hardbody. Composed by Trey Anastasio (of Phish phame) and Amanda Green with a book by Doug Wright, Hardbody adapts its story from the 1997 documentary about 10 Texans trying to win a pickup truck. The rules of the contest are simple: whoever keeps their hands on the truck the longest wins. The musical dramatizes the endurance competition while highlighting each of the contestants’ backstories. Read more
Get transported into a noir-ish New York City in Derek Ahonen’s twisty new crime thriller The Bad and the Better. The Lang Brothers, whose family tree is deeply rooted in the NYPD, both investigate New York’s murky underbelly from different sides. On their respective investigations into anarchist groups and mysterious suburban murders, each uncovers corrupt secrets that will change their lives forever.
The No. 1 Reason To See The Bad and the Better: The shocking plot twists Read more
Evita hasn’t been seen on Broadway in over 30 years, but this Andrew Lloyd Webber classic is making up for it now with a grand-scale revival starring Ricky Martin, Elena Roger, and Michael Cerveris. Roger, who is Argentinian herself, portrays the controversial first lady of Argentina through her humble beginnings as a commoner, rising to become the internationally famous wife of President Juan Peron, to her early death from cancer.
The No. 1 Reason To See Evita: The opulence of the Casa Rosada Read more
It is not a happy time for the “Get Happy” singer. In the new play End of the Rainbow, Tracie Bennett plays the unraveling Judy Garland, just six months before her fatal overdose. The famous singer and actress is in London with her piano accompanist and fiancé (this will be marriage no. 5) and barely well enough to perform the series of concerts for which she is contracted. Prescription drugs and booze leave her unable to perform, performing leaves her craving prescription drugs and booze, and the two men overseeing her are left scrambling to pick up the pieces of her disintegrating life and career.
The No. 1 Reason To See End of the Rainbow: The story of a great performer begetting a great performance Read more
The year might be 1960, but not much has changed in the arena of dirty politickin’ in this revival of Gore Vidal’s The Best Man. Eric McCormack and John Larroquette face off as two party candidates vying for the presidential primary nomination. Each has a handful of dirt to throw and heavyweights like James Earl Jones, Angela Lansbury, Candice Bergen, Michael McKean, and Kerry Butler have gathered to watch.
The No. 1 Reason To See The Best Man: John Larroquette’s struggle with the dark side of politics Read more
The most raucous version of Sunday mass is back on Broadway with the new revival of Jesus Christ Superstar. Andrew Lloyd webber and Tim Rice’s rock opera has been brought back to the stage with a rock-concert-meets-CNN look by director Des McAnuff and a cast full of Broadway debuts.
The No. 1 Reason To See Jesus Christ Superstar: Jesus and Judas extending over the audience during “Superstar” Read more
Broadway musicals have been a home for many heroes throughout history and this season is ushering in a whole bunch of them in the tightly-wound package of Newsies. The new Disney musical based on the 1992 movie tells the story of orphan boys in 1899 New York who, in spite of their destitute existence, demonstrate true power in numbers. When newspaper mogul Joseph Pulitzer raises newspaper prices, the newsboys who sell the headlines, led by Jack Kelly (Jeremy Jordan), form their own union and go on strike.
The No. 1 Reason To See Newsies: The earnest on-stage camaraderie Read more
Broadway turns it down a notch (or two or three) for the low-key stage musical adaptation of the 2006 indie film hit Once. A pair of fresh faces (Steve Kazee and Cristin Milioti) play Guy and Girl, the roles made famous by Glen Hansard and Marketa Irglova (also the composers) in the movie. He, a hangdog musician low on inspiration and drive, meets her, a muse brimming with pep talks and wisdom, and the two form a musical kinship that enriches much more than their art.
The No. 1 Reason To See Once: Cristin Milioti’s stoic humor Read more
Do you remember when your parents told you that life is full of disappointment? Well apparently, that was a lesson never taught in the Loman household. Philip Seymour Hoffman stars as Willy Loman in this A-list revival of Arthur Miller’s classic play about a salesman dissatisfied with what the fruits of his life-long labor have bore for his family. Linda Emond and Andrew Garfield (of The Social Network and this summer’s The Amazing Spider-Man) co-star as Willy’s wife and oldest son. Together, they form a most unhappy family; yet they do so magnificently.
The No. 1 Reason To See Death of a Salesman: Linda Emond’s heartbreaking devotion Read more
Intense struggle is on display in Diane Paulus’ revival (and retooling) of the classic opera Porgy and Bess. Adapted for a more standard evening of Broadway (ahem, running under four hours) by Suzan-Lori Parks and Diedre L. Murray, the production stars Broadway heavyweight Audra McDonald as Bess, a prostitute trying to turn her life around, and Norm Lewis as Porgy, the crippled beggar who gives her the love she needs to do it. The characters of South Carolina’s Catfish Row are destitute and scraping to get by. Bess has to battle the ties to the past she desperately wants to leave behind. And to top it off, there’s a wicked hurricane a-comin’.
The No. 1 Reason To See Porgy and Bess: Audra McDonald and Phillip Boykin’s brawl during “What You Want With Bess?” Read more