When Jennifer Damiano departs Next to Normal tonight, she will be beginning a new chapter in her career: the next big project. While no official statement on casting has been made, the New York Times reports that Damiano has signed on to play Mary Jane in the upcoming mega musical Spider-Man: Turn Off the Dark. Despite the mountain of publicity this will bring her, is becoming Spider-Man’s girlfriend the best move for a Tony-nominated actress known for playing three-dimensional women?
Since debuting on Broadway in the original cast of Spring Awakening in the ensemble and as an understudy, Damiano’s career has included co-headlining concerts at Joe’s Pub and her acclaimed performance as Natalie in the Pulitzer Prize-winning Next to Normal. These are tremendous accomplishments for a 19-year-old actress. Her involvement in Spring Awakening and Next to Normal, both Tony nominees for Best Musical (Spring won in 2007), both box offices successes and beloved by critics, has established her as an artsy-type actress. Starring in Spider-Man will shake up this trend.
Spring Awakening and Next to Normal were both “indie” musicals that began off Broadway. Neither were expected to achieve the level of success that they did when they transferred. Granted, Spider-Man: Turn Off the Dark has been plagued by production and financial issues. It’s original big-name stars—Evan Rachel Wood, who was originally supposed to play Mary Jane, and Alan Cumming as Green Goblin—dropped out. Just this Friday, Broadway’s largest PR firm Boneau/Bryan-Brown resigned from Spider-Man’s account. Nevertheless, the show has Marvel Entertainment backing it. It has been reported that the undertaking of this musical has cost upwards of $50 million. This is no Spring Awakening or Next to Normal. Read more
- Striking out at Next to Normal during stars’ final week
- Missing Memphis’s Montego Glover at Broadway in Bryant Park
- Bloody Bloody Andrew Jackson announces Broadway transfer in September
- Broadway grosses
Rushers, what did you think of Brian D’Arcy James as Dan in Next to Normal? Please tell me, since I didn’t see him. What did you think of this week’s Broadway in Bryant Park? Were you disappointed Montego Glover was absent, or were you thrilled to see Danielle Williamson? Are you getting your eyeliner out in anticipation of Bloody Bloody Andrew Jackson’s Broadway transfer in September? Leave all your excitement, woes, and thoughts in the comments!
The rush for Next to Normal is about as organized as a rush can get. Let this one stand as the example for all rushes. Theater employees distribute wristband numbers to the people in line (no, you don’t have to wear the wristband). This eliminates line cutting and allows people to run briefly to the bathroom or get a snack. I can’t express how many times the pals of people in front of me have joined them in line while I’ve been in place for hours. This isn’t a problem on the Next to Normal rush (just watch that it doesn’t happen before the wristbands are distributed).
Not only is this rush organized, but it’s generous. This is a general rush, meaning you don’t have to be a student to take part. The tickets are $25 a piece (each person can buy two, and the box office doesn’t tack on the usual $1.50 facilities charge). Furthermore, the seats are in the front row, which is a special experience for this show (more on this later). I’ve heard that once the front row is filled, rushers are put in the mezzanine and sometimes a box. Read more
Kym, my date, and I arrived at Radio City Music Hall at 6 p.m. We had butterflies in our stomachs and were laughing because it wasn’t like we were nominated or performing. As we lingered around the entrance at 6th Ave and 50th St, trying to figure out how to approach entering, Best Featured Actor in a Play nominee John Glover from Waiting For Godot passed by. We twiddled our thumbs for a few more minutes, waiting to cross paths with more arriving celebrities, but soon decided we better find the commoners entrance and start making our way in. The entrance line for regular ticket holders stretched nearly around the entire block. We waited in line and felt the discriminating eyes of the tourists parked on Rockefeller Center benches meandering over our outfits. As we crawled toward the security check, we saw Heidi Blickenstaff from [title of show], accompanied by Christopher J. Hanke. As we entered the venue, we realized that Heidi had to enter the same way we did—which we felt extremely bad about. The girl was not only in a Tony-nominated show, but she was also Ursula in The Little Mermaid! [title of show] just gets no respect (which we realized again during the ceremony). Read more