26
Mar
Stage Rush TV: Episode 6
Talking points:
- Interviewing Broadway music director Lynne Shankel, juggler extraordinaire.
- Seeing All About Me
- The short-lived Henry Miller’s Theatre is renamed after Stephen Sondheim
- Broadway grosses
What did you find most surprising about my interview with Lynne Shankel? Have you seen All About Me? Did you think Michael Feinstein held his own, or was he just one of Dame Edna’s props? Please leave any questions or suggestions for topics in the comments!
25
Mar
Review: All About Me
Not every good idea has to make sense, initially. When I first heard that Dame Edna Everage and Michael Feinstein would be co-headlining a Broadway show, I thought, Who wants to see that? Dame Edna has already had two Broadway shows—isn’t her shtick old? And Michael Feinstein is stuck in the 1930s with his cabaret act—how is he relevant to today’s paying audience?
Well last night, all these performers had to do to convince me was open their mouths.
Played by the Australian comedian Barry Humphries, Dame Edna’s comedy is sharper than ever. Her improvised routine of honing in on grinning audience members and humiliating them never gets boring. What’s so effective about her delivery is that Edna never appears to be insulting intentionally—every caustic quip is delivered in a tone that would sound the same if she were saying she loved you. Edna is miraculous, because she is a short-sighted, self-absorbed, politically incorrect snob—yet you can’t help but love her! She commands the stage of the Henry Miller’s Theatre (soon to be the Stephen Sondheim Theatre) using her usual staples of gladiolas, muscular male dancers, and boas. Edna also looks blindingly glittery in her wild costumes, designed by Stephen Adnitt. One particular bedazzled frock displayed a massive collar that was the Sydney Opera House, with Edna’s head poking out through the middle of the famed building. It was a design fit for Lady Gaga, which isn’t too shabby for the 76-year-old dame. Read more 
