Sometimes, all the power and money in the world cannot protect you from the consequences of your decisions. It’s a moral presented in Terence Rattigan’s Man and Boy that comes off kind of comforting (maybe even vindicating) in a society where the disconnect between corporate greed and unemployment rates are impossible to ignore. Frank Langella plays Romanian financier Gregor Antonescu (a Bernie Madoff of yesteryear) in 1934 New York, sought in a financial scandal so big, it’s splashed across the front page of The Wall Street Journal. He takes refuge at the dilapidated Greenwich Village apartment of his estranged son Basil (Adam Driver), who he’s left scarred from years of neglect. In the apartment, Antonescu spins a variety of last-ditch schemes to avoid imprisonment and financial ruin.
The No. 1 Reason To See Man and Boy: Frank Langella’s polite condescension Read more
We all know that Broadway and hamminess go hand in hand. One is just a part of the other as peanut butter is to jelly. Yet the level of obnoxiousness that Sherie Rene Scott reaches in her one-woman show Everyday Rapture is downright off-putting.