Do you remember when your parents told you that life is full of disappointment? Well apparently, that was a lesson never taught in the Loman household. Philip Seymour Hoffman stars as Willy Loman in this A-list revival of Arthur Miller’s classic play about a salesman dissatisfied with what the fruits of his life-long labor have bore for his family. Linda Emond and Andrew Garfield (of The Social Network and this summer’s The Amazing Spider-Man) co-star as Willy’s wife and oldest son. Together, they form a most unhappy family; yet they do so magnificently.
The No. 1 Reason To See Death of a Salesman: Linda Emond’s heartbreaking devotion Read more
Just like A Steady Rain, which boasted two huge Hollywood names, people are coming out in droves to see Scarlett Johansson and Liev Schreiber in this revival of the Arthur Miller play. Last week, it sold 102 percent of its tickets! Being that there are only six weeks left to the production’s run and I was well aware of the demand for this show, I decided to be very cautious with this rush. I’m honestly shocked that Bridge has a rush policy at all, with the rate they’re selling. It’s a general rush that goes on sale when the box office opens for $26.50 a piece, up to two tickets.
I arrived at the Cort Theatre at 8:30 a.m. and was the third person in line. The Cort has a nice, large overhang that sheltered us from the rain. Once 9 a.m. hit, the rush line grew fast, eventually adding up to about 30 people. I could tell the rushers that were beyond tenth in line were getting antsy as to whether they would be getting a seat. People even began querying the front section of the line, asking who was purchasing tickets for the matinee or the evening show. It was then that I was content with my decision to get there early, because I knew I was getting a ticket and didn’t have to worry. It was a comforting thought, and made for a very easy rush. The payoff was even larger when I got my ticket, which was for a front row orchestra seat on the aisle of the center section. I thought it was a mistake at first! The idea of seeing Johansson and Schreiber perform that close was incredibly exciting. It turns out, the front row of the Cort is extremely close to the stage, which is also quite high. But luckily, the actors stand further upstage for most of the show, so they were visible. I didn’t need a giraffe neck like I thought, after all. Read more