If there was to be a revival of The Most Happy Fella on Broadway, Robert Creighton should be cast as the lead right now. I actually have no idea what the show is about, but what I do know is that at his concert and album release party at the Metropolitan Room February 13 for his debut record Ain’t We Got Fun, Creighton was the most gleeful guy in New York. In addition to covering for Joel Grey as Moonface Martin in the hit revival of Anything Goes when the actor was out due to an injury in the fall and having a baby with his wife soon after, Creighton kicked off the official release of his album by duetting on stage with Anything Goes original castmates Laura Osnes and Grey.
Ain’t We Got Fun is a collection of jazz and Tin Pan Alley standards, as well as Creighton’s own compositions of the same style. If that genre of music gets your toes tapping, Creighton’s renditions will delight. If those tunes don’t float your boat, you’re still bound to enjoy Creighton as an entertainer because every performance is infused with characterization and his brand of clumsy, ‘aw shucks’ humor. And there was no shortage of that charm at Creighton’s concert. After kicking the show off with his own song “Crazy ‘Bout You,” Creighton explained that he was about to deliver his third baby. His first was the musical Cagney!, which he co-wrote and starred in in Florida. The second being his actual child and the third baby being the debut of his album.
VIDEO: Watch Robert Creighton sing “Crazy ‘Bout You”
- Louis Hobson shares Next to Normal memories in his Bonnie & Clyde dressing room
- Stage Rush’s top 3 Broadway moments of 2011
What do you think, Rushers? What was your top Broadway moment in 2011? What are you most looking forward to on Broadway in 2012? Leave your thoughts in the comments below, and have a safe and happy New Year!
Across 733 performances, Louis Hobson played the dual role of the Dr. Madden/Dr. Fine in the Pulitzer Prize and Tony Award-winning musical Next to Normal. In addition to out-of-town iterations, Hobson was one of two actors to stay with the show through its entire Broadway run. After a stint in the brief run of The People in the Picture last spring, the former Seattle theater star is currently chasing down Jeremy Jordan and Laura Osnes in Bonnie & Clyde as police officer Ted Hinton (closing December 30). Hobson sat down with Stage Rush to discuss firearms, the highest highs of Next to Normal, and the satisfaction level of supporting roles on Broadway.
Ted Hinton is an interesting role in that you’re kind of the bad guy. The audience doesn’t root for you, but you’re on the side of the law; you’re doing the right thing. Sounds like a difficult mindset to get into.
Our conversation from the first rehearsal was that there is no antagonist in this show. If you need to choose an antagonist, you can say it’s society or the circumstances that everyone’s in. I wanted to push Ted as close to the middle of that line between right and wrong. I think that Clyde falls on that line as well. To me, it’s more interesting that no one in the show is all good and no one is all bad.
What’s it like playing someone who actually lived?
Ted Hinton was the last surviving member of the group that brought Bonnie and Clyde down. Ted in the show is sort of a composite of several different people. What he needed to be for this story was a little different than what he was in real life. But it’s always nice to start with something that’s real.
Is it fun to play cops and robbers on Broadway?
It’s fun having a gun. It gives you so much power. Unfortunately, I don’t get to shoot mine. Ted is one of the few guys that doesn’t get to shoot his gun. We have these big-ass guns [during the shootout scene at the end], but they don’t actually fire; they’re prop guns. Everything in that scene is firing sound effects. I don’t get to fire a blank in the show, and… that’s alright. [mock disappointed voice]
The gunshots in the show are jarring for the audience. Is it still startling for you?
We jumped when we were first [firing the blanks]. These are real bullets; they just don’t have the metal tips that fire the projectile. We were playing around with a full load of gun powder, then a half load, a quarter, an eighth—all to test different volumes. I can live with this volume now; it was so loud at the beginning. I’ve gotten used to it. Every once in a while, I get that ringing in my ears. But it’s much worse for Jeremy and Laura.
VIDEO: Louis Hobson talks about acting opposite Tony winner Alice Ripley in Next to Normal
Just as history saw two youths rise to infamy with their acts of crime, Broadway ushers in two fresh talents to stardom in the new musical Bonnie & Clyde. Laura Osnes and Jeremy Jordan sizzle as the two misguided lovers whose robberies and killings led to their early deaths. A score by Broadway vet Frank Wildhorn and Don Black sets Bonnie and Clyde’s story of fast fame and swift extinguishment to the background of a pop country set.
The No. 1 Reason To See Bonnie & Clyde: Laura Osnes and Melissa Van Der Schyff singing “You Love Who You Love” Read more