- Stage Rush’s Tony Award predictions
- Attending the opening of Desperate Writers
- Stage Rush TV will be coming to you from Los Angeles next week
- Broadway grosses
What do you think, Rushers? Are my predictions spot on or do you think I’m off base? Who do you think will take home the gold on Tony night? What are your Tony viewing plans? Leave your Tony Awards excitement in the comments below!
The back-and-forth chatter of who will go home a winner on Tony Awards night must come to and end, as the ceremony this Sunday draws closer. Stage Rush predicts the winners below!
AUDIO: Listen to Stage Rush editor Jesse North give his Tony Award predictions on WGHT radio’s “Curtain Call” (hosted by Teisha Bader).
The Motherf**ker With The Hat
War Horse (WILL WIN)
I’ve heard rumblings of a desire for an American playwright to take the award this year, but War Horse is too commercial and awe-inducing not to win. Read more
- Lucky Guy‘s unexpected, early closing almost derails Stage Rush giveaway winners
- The Phantom of the Opera ticket giveaway concludes
- The four Tony-nominated Book of Mormon actors interviewed by Seth Rudetsky
- Stage Rush is traveling to LA for theater coverage
- Stage Rush will predict Tony winners on WGHT radio Wednesday, June 8 @ 9:30 a.m.
- Broadway grosses
What do you think, Rushers? Are you surprised of Lucky Guy‘s closing, in light of its aggressive marketing? Did you see/hear Seth Rudetsky’s interview with the four Tony-nominated Mormon actors? Which Mormon actor is your favorite? Leave your thoughts in the comments below!
- Playwright Jez Butterworth quotes Stage Rush’s Jerusalem review on Theater Talk. [Full TV clip here]
- The Book of Mormon Tony nominee Rory O’Malley gives his best impression of co-star, and college roommate, Josh Gad impersonating him
- The [title of show] / Now. Here. This. gang announces the winners of the 2011 Patrick Lee ITBA Awards
- Broadway grosses
What do you think, Rushers? Did you catch the Jerusalem episode of Theater Talk? Can you believe former college roommates Rory O’Malley and Josh Gad are now both starring in (and Tony-nominated for) The Book of Mormon? How much does seeing the [title of show] gang together again make you want to explode with happiness? Leave your thoughts in the comments below!
When Rory O’Malley called his mother in Ohio to tell her the happy news that he had been nominated for a Tony Award for his performance in The Book of Mormon, she suggested that he double check. “She said, ‘Are you sure? How do you know?’” O’Malley recalled. “I said, ‘It was on TV, Mom.’” Despite the momentary disbelief, O’Malley cites sharing the news with his supportive mom as the highlight of his Tony journey. “She certainly worked just as hard, if not harder, on my dreams by being who she is and raising me.” Read more
Religion is taking a beating on Broadway this season. That isn’t to say theater is pointing its gun at God, but rather shining a light on faith and daring audiences to make their own informed conclusions. First, the new musical The Book of Mormon takes religion out of its precisely manufactured packaging and encourages that we just believe. Now in the new dark drama High, playwright Matthew Lombardo asks the audience—how much do you believe?
In High, Kathleen Turner stars as Sister Jamison, a foul-mouthed, ex-alcoholic nun working at an addiction center. Father Michael (Stephen Kunken) assigns her a new patient, Cody Randall (Evan Jonigkeit), who will prove to be the ultimate test of her faith. Cody is a 19 year old who has been on drugs since he was 8 (and raped at that time too). He has been brought in by authorities after being discovered at a grim motel scene, where a 14-year-old companion had overdosed and Cody attempted suicide. Can you feel the heaviness yet?
Cody, however, doesn’t want to get clean, and the stubbornness of the 19-year-old drug addict and the ex-alcoholic nun mixes together like gasoline and matches.
While High’s narrative might be all about Cody and the attempt to save him, the story is really about Sister Jamison and her unraveling. Right off the bat, she is introduced to us as bold, brash, and strong. She wears her former addiction and her raw past like a medal. Yet as she sinks deeper into Cody’s darkness, the strength that initially emanates from Sister Jamison reveals itself to be a façade. Read more
- Heidi Blickenstaff’s surprising Broadway season
- “You Know You’re On Broadway When…” with Heidi Blickenstaff
- Spring Awakening national tour at The State Theatre, New Brunswick, New Jersey
- Poster designers Fraver and James McMullen speak at Lincoln Center Library
- Broadway grosses
What do you think, Rushers? Would you have loved to have seen Heidi Blickenstaff in The Book of Mormon? Where have you caught the Spring Awakening national tour? What now-closed Broadway show do you miss? Leave your thoughts in the comments below!
Heidi Blickenstaff had planned to be a Mormon this Broadway season. For the past two and a half years, she had been playing Mother Price—Andrew Rannells’ character’s mother—in production workshops of The Book of Mormon. Yet the role that had started out with two songs gradually diminished as the show evolved. A torn calf muscle that sidelined Blickenstaff during the final workshop didn’t help. Soon after, Blickenstaff received a phone call from one of the show’s producers saying that the role was being made even smaller—Blickenstaff amicably decided to bow out. However, another maternal role was unexpectedly around the corner.
“I’m sure that had I been in my early twenties, I would have been devastated,” Blickenstaff said. “It worked out the way it was supposed to. I’ve learned to let go of that stuff. There’s a plan, there’s a road; just walk on it.” That road led to a last minute audition for the replacement cast in The Addams Family for the role of Alice Beineke—the mother of Wednesday’s love interest.
“Oddly, it was not on my radar at all,” Blickenstaff said. “I hadn’t seen the show. My agent said [the casting directors] had seen a lot of people for Alice Beineke and they couldn’t seem to find what they wanted. I knew Carolee Carmello had done the role, and we’re very different vocal types. I thought, ‘This probably isn’t going to go my way, but I’ll go in, say hi, and do my best.’” Fifteen seconds into the audition, Blickenstaff knew it was going well. Director Jerry Zaks walked her out and 20 minutes later, she received a phone call with the offer. “I had no plans to do this, but I was so thrilled for the job,” Blickenstaff said. “You know, times is tough right now [sic]. I couldn’t be more grateful to be here. It was the most wonderful surprise. I’m having a really good time. It’s a really fun role.”
In the show, Alice Beineke, a tightly wound conservative, visits the Addams mansion with her husband from Ohio to meet the family of the daughter with whom their son has fallen in love. Although appalled at what she sees upon her arrival, over the course of her stay, Alice loosens up—although the Addams’ make that decision for her. At the end of Act I, Alice sings a showcasing, belty number called “Waiting.” “It’s all over the place—it’s got everything from opera, to smoky jazz, to really standard musical theater. It’s super schizophrenic.” Read more