- Sarah Roberts from Adventures in the Endless Pursuit of Entertainment co-hosts!
- Kate Baldwin’s album-release party at Feinstein’s
- Memphis‘ Bryan Fenkart and The Addams Family are best in show at Broadway in Bryant Park
- From Follies at the Kennedy Center to Sweeney Todd in Paris: How far will you go to see a show?
- Broadway grosses
What do you think, Rushers? Who do you think was the strongest act at Broadway in Bryant Park this week? What’s the farthest you’ve ever traveled to see theater? Leave your frequent theater miles in the comments below!
This week’s acts at Broadway in Bryant Park couldn’t match the scorching heat of Kerry Butler and Aaron Tveit from last week, so Mother Nature sent down an excess of UV rays to make up for the difference. The third week of the concert series was the hottest yet, clocking in at 94 degrees. In addition to the added heat, there were five shows performing, breaking from the usual four. It was a jam-packed show with solid turnouts, but no clear, wowing performance.
Joseph Harrington took the stage first for Billy Elliot, singing “Electricity.” His delivery seemed a bit robotic and inorganic, but at the end when he took center stage and performed numerous, consecutive pirouettes—I couldn’t help but have chills. Emily Skinner sang Mrs. Wilkinson’s number, “Shine,” but was unaccompanied by her ballerina students, who performed during the number last year. Closing out their set, all four current Broadway Billies (Harrington, Tade Biesinger, Giuseppe Bausilio, and Peter Mazurowski) convened for a tap dance set.
Memphis sent in its understudies in place of Chad Kimball and Montego Glover. Bryan Fenkart, who sat down with Stage Rush for an “Understudy Hall” profile, is often a pinch-hitter for the role of Huey. News broke on Thursday that Kimball is scheduled to take a leave of absence from the musical in the fall due to a long-gestating injury. Fenkart’s appearance at the Bryant Park concert provided some thoughtful foreshadowing as to whether he might be tapped to replace Kimball in the role. Regardless, Fenkart delivered a vocally-impressive and well-acted “The Music of My Soul,” followed by Dan’yelle Williamson, who added her own gospel flourishes to the great solo “Colored Woman.” Surprisingly, Fenkart and Williamson were the only two Memphis representatives. I found it odd that the show didn’t make use of its impressive ensemble, but the two back-up leads delivered a strong set on their own.
VIDEO: Bryan Fenkart sings “The Music of My Soul” from Memphis
The new Broadway season swoops in with quite a homecoming when it takes over the area it inhabits. During the annual Broadway on Broadway concert, Broadway the art takes full control of Broadway the district. In its nineteenth year, the free outdoor concert in Times Square offered strong performances, many of theater’s biggest stars, and a lack of new offerings.
Sponsored by The Broadway League and billed as a kick-off to the new theater season, Broadway on Broadway should (and usually does) feature the new musical productions that will be bowing in the coming months. It’s an exciting sneak peak of shows that are opening in a few weeks, and some much further into the year. Last year, new productions like Finian’s Rainbow and Memphis were among those that debuted their songs and cast to the Times Square audience. This year, just two new musicals performed, out of the 10+ productions slated for Broadway this year.
Only one of those two productions, Elf, features original music. Beth Leavel was on hand to perform “There Is A Santa Claus,” which was pretty paint-by-numbers in melody, but embodied a strong seasonal flavor. Will Swenson (with newly cropped hair, much to the female audience’s audible disdain) performed “I Say A Little Prayer” from Priscilla Queen of the Desert—a jukebox musical. Not two of the strongest numbers of the day, but still exciting, being they were new.
Where was the cast of Bloody Bloody Andrew Jackson, who is clearly ready to go? The Scottsboro Boys are still performing at the Guthrie Theater in Minneapolis, so they get a pass on this event. But why couldn’t Reeve Carney represent Spider-Man: Turn Off The Dark like he did on Good Morning America on Friday? Were the A-list stars of Women On The Verge Of A Nervous Breakdown above the free concert? Being that all these shows are set to open in the next two months, a one-song performance couldn’t have been too far out of their reach. Instead of performances, Sutton Foster, from the upcoming revival of Anything Goes (another production that didn’t perform—like she doesn’t know how to sing “Blow, Gabriel, Blow?) appeared on stage to read from the list of all these shows that are coming to Broadway and wouldn’t be performing. Some tease. Read more
- Interviewing Chad Kimball’s understudy, Bryan Fenkart, from Memphis
- Loss #1 at the American Idiot ticket lottery
- Million Dollar Quartet rocks out at a private jam session
- Broadway grosses