The cast recording of Finian’s Rainbow is going to annoy me to no end. The album for the excellent, gone-way-too-soon show was released yesterday, and today I downloaded three songs from it (I loved the show as a whole, but didn’t want the entire album). “How Are Things In Glocca Morra,” “Look To The Rainbow,” and Old Devil Moon” all have introductory dialogue leading into the music. I’m sure the majority of the tracks have incorporated dialogue—perhaps someone can let me know if I’m right or wrong in the comments section below.
Why did the producers at PS Classics (the label that released the album) do this?? Dialogue in cast recordings toss a distracting wrench in the continuity of the album’s flow. And in Finian’s case, there’s more than just continuity problems. Read more
5 Reasons To Rush Finian’s Rainbow This Weekend
The rush is $27 and box seats might be available. The situation might be different this weekend, as rushers might be getting in their last chance to see Finian’s before it closes, but when I rushed, I was at the St. James Theatre at 8:55 a.m. and was the first and only person on line until a half hour before the box office opened. It’s a student rush, with up to two tickets per ID. At my performance, I got box seats, which gave me a great view of the beautiful St. James Theatre and great, close-up views of the actors. Unfortunately, the box seats are an extreme side view, so I don’t feel I saw enough of John Lee Beatty’s set design to properly review it. Many characters’ entrances were blocked, as well.
Christopher Fitzgerald’s pants. Playing the loveable leprechaun Og who has traveled to Missitucky, USA from Ireland in search of his stolen pot o’ gold, Fitzgerald cements himself as one of Broadway’s greatest current character actors. Having played quirky and riotous characters in Wicked and Young Frankenstein before this, his performance in Finian’s is delightful. A mute performance by Fitzgerald would be equally as entertaining, because the man’s eyes and mouth work to create such animated facial expressions, he can convey almost anything and make it just as enjoyable. While he’s staying in Missitucky, away from his magical homeland, the leprechaun finds that he is growing. Costume designer Toni-Leslie James puts Fitzgerald in different sets of pants throughout the show, each new pair shorter than the last. This simple, not-fooling-anybody gimmick becomes so hysterical, and Fitzgerald wears the joke perfectly. Read more