Nick Adams nearly didn’t play Felicia in Priscilla: Queen of the Desert, the role that has made him a fan favorite on Broadway. Casting directors originally planned to make Adams an understudy for the role of the young, mischievous drag queen. But then Facebook lent a hand.
Fans of Adams created a Facebook group, lobbying for his casting in the role, a la the social media campaign to get Betty White to host Saturday Night Live last year. “The producers actually noticed that people were pushing for me and they paid attention to it,” Adams said. “It’s amazing that the people who have been supportive are able to come celebrate this triumph with me.” It seems the celebration has turned into a never-ending party. Adams has over five thousand followers on Twitter and Priscilla enjoys repeat ticket buyers who have seen the show dozens of times since it opened in March.
Since making his Broadway debut in Chicago in 2006, Adams, 27, has hit the Great White Way running. His second role as Larry in the revival of A Chorus Line in 2008 got him massive attention, although unintended. Michael Riedel of The New York Post reported that TV star Mario Lopez felt upstaged by Adams’ muscular physique, so producers put him in a less revealing costume and moved him to the back of the dance line. The story was harped on in the gossip columns and tabloids for weeks, but soon all Broadway enthusiasts knew Adams’ name. (Adams and Lopez have since laughed off the incident and are reportedly friends.) A brief stint in the ensemble of the critically acclaimed La Cage aux Folles last spring followed, and then Priscilla’s stiletto heels were ready to be filled.
Video: Nick Adams on his emotional connection to Priscilla and award season nerves
Guys and Dolls is a big musical. It’s got big orchestrations, big scenery, big characters, and a big history. So in its third iteration on Broadway, it’s surprising that what keeps this classic afloat are the minor details.
I arrived at the Nederlander Theatre (gorgeously renovated, post Rent) just before 8:30 a.m. I was alone in line and remained so until I was joined by three other rushers just before the box office opened. Why such a slow rush day for this show? It’s a little odd, since during the month of March, Guys and Dolls sold 91.6 percent of its tickets. It was chilly, but being that it’s now April (yay spring!!) it was an easier haul. At 10 a.m., the box office opened and I picked up my $26.50 ticket for what was one of the best seats I’ve ever had for a show, with or without rush. Mezzanine, fourth row, dead center. It was probably one of the few times I’ve ever felt guilty sitting among all those patrons that paid top dollar. At $26.50, with seats like this, and a two-ticket option – this seems to be the rush to beat this season.