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Posts tagged ‘High’

30
Dec

Stage Rush TV: Episode 87

Talking points:

What do you think, Rushers? What was your top Broadway moment in 2011? What are you most looking forward to on Broadway in 2012? Leave your thoughts in the comments below, and have a safe and happy New Year!

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20
Apr

Review: High

high broadway poster play kathleen turnerReligion is taking a beating on Broadway this season. That isn’t to say theater is pointing its gun at God, but rather shining a light on faith and daring audiences to make their own informed conclusions. First, the new musical The Book of Mormon takes religion out of its precisely manufactured packaging and encourages that we just believe. Now in the new dark drama High, playwright Matthew Lombardo asks the audience—how much do you believe?

In High, Kathleen Turner stars as Sister Jamison, a foul-mouthed, ex-alcoholic nun working at an addiction center. Father Michael (Stephen Kunken) assigns her a new patient, Cody Randall (Evan Jonigkeit), who will prove to be the ultimate test of her faith. Cody is a 19 year old who has been on drugs since he was 8 (and raped at that time too). He has been brought in by authorities after being discovered at a grim motel scene, where a 14-year-old companion had overdosed and Cody attempted suicide. Can you feel the heaviness yet?

Cody, however, doesn’t want to get clean, and the stubbornness of the 19-year-old drug addict and the ex-alcoholic nun mixes together like gasoline and matches.

While High’s narrative might be all about Cody and the attempt to save him, the story is really about Sister Jamison and her unraveling. Right off the bat, she is introduced to us as bold, brash, and strong. She wears her former addiction and her raw past like a medal. Yet as she sinks deeper into Cody’s darkness, the strength that initially emanates from Sister Jamison reveals itself to be a façade. Read more »

15
Apr

Stage Rush TV: Episode 59

Talking points:

What do you think, Rushers? Are you eager to see Stephen Kunken’s next performance? Is he on a Broadway streak, or what? Do you think you can crush the competition in Be A Broadway Star? Have you seen Catch Me If You Can? Are you as in love with Kerry Butler (and her performance) as I am? Leave your thoughts in the comments below!

Follow Stage Rush on Facebook and Twitter, and sign up for the weekly newsletter!

14
Apr

Another spring of deceit on Broadway for Stephen Kunken

high new broadway play stephen kunken kathleen turner scene

Photo: Joan Marcus

For some people, spring means a time of cleaning, rain boots, and preparation for warm weather. For Stephen Kunken, spring means a role in a hot-button, new Broadway play. In April 2007, Kunken had a supporting role in Frost/Nixon, and last April, he starred in Enron, for which his performance earned him a Tony nomination. A year after that rollercoaster run in Enron (the day Kunken received his Tony nomination was the same day the show posted its closing notice), he is starring alongside Kathleen Turner in the new drama High, opening April 19.

As Father Michael Delpapp, Kunken assigns Turner, an ex-alcoholic nun, to council a troubled teenager, played by newcomer Evan Jonigkeit, suffering from intense drug addiction and abuse. The three characters hurdle down a volatile road of secret connections, painful memories, and religious doubt. While Kunken’s character is more reserved than in his Tony-nominated Andy Fastow role from Enron, Father Michael equally pushes the plot with his secrets and questionable actions.

“A play like this is challenging, because when all the other horses are running, I have to do my job, and this guy’s job is to keep it together for as long as possible,” Kunken said. “His part of the story comes out and you see that he’s in free fall in his own way.”

Kunken noted that he had to “catch up” with Turner and Jonigkeit, who had been involved with earlier incarnations of High in Hartford, Cincinnati, and St. Louis. The role of Father Michael had previously been played by [title of show] director Michael Berresse. “I didn’t want to rush my understanding of the play,” Kunken said. “Sometimes, plays are examined like an automobile. ‘Do you the lights work? Check.’ But with this show, we opened the hood and looked at the whole thing. Now we get from points A to B in a much better way.” Read more »