If there was to be a revival of The Most Happy Fella on Broadway, Robert Creighton should be cast as the lead right now. I actually have no idea what the show is about, but what I do know is that at his concert and album release party at the Metropolitan Room February 13 for his debut record Ain’t We Got Fun, Creighton was the most gleeful guy in New York. In addition to covering for Joel Grey as Moonface Martin in the hit revival of Anything Goes when the actor was out due to an injury in the fall and having a baby with his wife soon after, Creighton kicked off the official release of his album by duetting on stage with Anything Goes original castmates Laura Osnes and Grey.
Ain’t We Got Fun is a collection of jazz and Tin Pan Alley standards, as well as Creighton’s own compositions of the same style. If that genre of music gets your toes tapping, Creighton’s renditions will delight. If those tunes don’t float your boat, you’re still bound to enjoy Creighton as an entertainer because every performance is infused with characterization and his brand of clumsy, ‘aw shucks’ humor. And there was no shortage of that charm at Creighton’s concert. After kicking the show off with his own song “Crazy ‘Bout You,” Creighton explained that he was about to deliver his third baby. His first was the musical Cagney!, which he co-wrote and starred in in Florida. The second being his actual child and the third baby being the debut of his album.
VIDEO: Watch Robert Creighton sing “Crazy ‘Bout You”
Just as history saw two youths rise to infamy with their acts of crime, Broadway ushers in two fresh talents to stardom in the new musical Bonnie & Clyde. Laura Osnes and Jeremy Jordan sizzle as the two misguided lovers whose robberies and killings led to their early deaths. A score by Broadway vet Frank Wildhorn and Don Black sets Bonnie and Clyde’s story of fast fame and swift extinguishment to the background of a pop country set.
The No. 1 Reason To See Bonnie & Clyde: Laura Osnes and Melissa Van Der Schyff singing “You Love Who You Love” Read more
- Adam Rothenberg from Adaumbelle’s Quest co-hosts!
- Sexy Performers Week at Broadway in Bryant Park
- Word Association with Chester Gregory‘s best roles
- One Night Stand, the documentary about the 24-hour musicals
- Broadway grosses
What do you think, Rushers? Did this week’s Bryant Park concert rock your world with the sexy people that performed? What is your favorite role of Chester Gregory’s to date? Have you ever attended the 24-hour musicals event? Leave your thoughts in the comments below, and don’t forget to enter our Follies ticket giveaway for a chance to win one of two pairs of tickets to the show!
The oldie musicals came to Broadway in Bryant Park this week to show the newbies who’s boss. The lively casts of The Phantom of the Opera, The Fantasticks, Hair, and Anything Goes performed their classic, well-trodden material with fresh enthusiasm.
At first, I wasn’t so sure about the Phantom set. Kyle Barisich and Marni Raab sang a sweet “All I Ask of You,” but the acting was so out of context on the Bryant Park stage that I had trouble holding back a few snide laughs. I shut up when Hugh Panaro took the stage for “Music of the Night.” The Broadway A-lister and long-time Phantom sang the famous number with remarkable control, and his power notes filled the park effortlessly.
VIDEO: Hugh Panaro sings “Music of the Night” from The Phantom of the Opera
The second installment of the free summer Broadway-at-lunchtime extravaganza (aka Broadway in Bryant Park) enjoyed much less steamy weather than its premiere week. I also indulged in one of the park’s signature green chair this time, which resulted in a much further spot for filming, which I didn’t realize was a consequence until later. Let me know if the videos are too difficult to see, or if you enjoyed the full-stage perspective.
This week’s concert, which boasted a hefty lineup, kicked off with the oddball of the group—The Radio City Christmas Spectacular, featuring the Rockettes. I can’t be the only one who isn’t keen on Christmas in July. Thankfully, the Rockettes showed the audience mercy and refrained from performing to any Yuletide tunes. Instead, they relegated their performance to a brief routine of high kicks and chorus lines to an instrumental number (no Christmas carol I could make out), and exited the stage roughly three minutes after they began. Someone’s not getting coal in their stocking, come December.
The first real show to take the stage was the king of Broadway, The Phantom of the Opera. Phantom actor John Cudia was not in attendance, but Paul Schaefer knocked it out of the park with “Music of the Night.” Interestingly, Phantom only got two songs, which, as I would find out, left more time for newer shows. Usually, all shows get four numbers. This week, the allotted numbers were quite unbalanced.
The cast of South Pacific was up to bat next, and they were easily the best performers of the day. I’ve thought for a while that the South Pacific chorus is the strongest I’ve ever seen on Broadway. Danny Burstein and his men proved it once again with “There Is Nothing Like A Dame,” making full use of the stage, something that Memphis could have done (but more on that later). Laura Osnes (ah, a star!) was up for the Bryant Park challenge and sang “A Wonderful Guy.” Seeing her perform was a first for me, and I was quite impressed with her vocals.
Video: “There Is Nothing Like A Dame”