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Posts tagged ‘Maddie Corman’

10
Jun

Stage Rush TV: Episode 67

Talking points:

What do you think, Rushers? Are my predictions spot on or do you think I’m off base? Who do you think will take home the gold on Tony night? What are your Tony viewing plans? Leave your Tony Awards excitement in the comments below!

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13
May

Stage Rush TV: Episode 63

Talking points:

What do you think, Rushers? Do you think Catherine Schreiber is on to something, or is she being too optimistic about Scottsboro‘s chances at the Tonys? Who had to wipe the drool from their mouth when they saw Aaron Tveit in a baseball uniform? For your viewing pleasure, watch Aaron’s full performance of the National Anthem below. Leave your thoughts in the comments below!

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12
May

‘Desperate Writers’: Actor and playwright in conversation

catherine schreiber desperate writers headshot

Catherine Schreiber

It takes courage to write about your own life for a play; it takes even more courage to play a character in it. That is what Catherine Schreiber is doing in Desperate Writers, a play she co-wrote with Joshua Grenrock, about the writing duo’s adventures of getting a script produced in Hollywood. The comedy begins previews May 16 at the Union Square Theater and will open June 6. Schreiber is a producer of The Scottsboro Boys, as well as the upcoming Broadway production of The King’s Speech, based on the Oscar-winning film. Maddie Corman (previously seen on Broadway in Next Fall) plays the role of Ashley, modeled after Schreiber. The actress and playwright sat down with Stage Rush to discuss the rehearsal process, the struggles of making it in the entertainment industry, and their other high-profile projects: Smash—a pilot for NBC, and King’s Speech.

 

maddie corman desperate writers headshot

Maddie Corman

How did the basis for this play come to you?
Catherine Schreiber: Joshua Grenrock and I met as actors years ago and then we started writing together. We had always wanted to write a script about our struggles. Everyone said don’t do it, but it was one of those scripts that we had to write. Everything in it is based on truth.

How much of the play is you?
CS: A lot of the play is me. Josh and I, we really wrote it for ourselves as Ashley and David. We couldn’t play those parts because by the time we did it, we would have been too old and it wouldn’t have been a comedy anymore, it would have been more of a tragedy. We played the producers instead. But a lot of my friends who hear the lines will recognize me.

Maddie, you play…
Maddie Corman: Catherine. [Laughs] I play Ashley.

What’s your character up to?
MC: When the play opens, it’s the day of the big [script] meeting and it’s finally supposed to happen. The company loves it; they can make this couple’s dream come true. I think the one thing that may not be autobiographical for Catherine—just because I want to save your marriage—in the play, the cowriters are also in love. Ashley is ready to get married and have a baby. Herboyfriend won’t take that next step until he gets his ducks in a row. I think a lot of people can relate to that feeling of, ‘Come on, it’s my time. I’m not asking for a favor. I’m ready to work hard and do what I was born to you.’ I can’t tell you how much I relate to the script. In rehearsal, I have shared my horror stories about jobs I have done where they’ve said, ‘OK, this pilot is going to series and you’re going to be in this.’ Read more »

12
Mar

Review: Next Fall

A quality family drama can be a greatly effective play because everyone in the audience can relate in some aspect. Geoffrey Nauffts’ new dramedy, Next Fall, has many entrance points of reliability. Not everyone in the audience will relate to the homosexual relationship at the center of the play. Not everyone will relate to the various religious stances held by the characters in the play. What everyone will relate to, however, is the common denominator of religion in our lives and how it influences our views.

Patrick Breen plays Adam, a man approaching the edge of middle age, who is a cynic and holds no stock in religion. Patrick Heusinger plays Luke, a 20-something optimist who never begins a meal without a Christian prayer. The audience is privy to crucial moments in their five-year relationship through flashbacks, while a hospital waiting room stands as the play’s main hub, where Adam and Patrick’s friends and family converge after a serious accident. We see how the two have made their many differences work over the years, and which ones have gotten the better of them.
Although it doesn’t reach the heights of August: Osage County (the last great family drama to hit Broadway), Next Fall is a poignant, relevant work that highlights some of America’s most pressing issues. Most importantly, it has a lot of heart, and that it is an original piece is incredibly refreshing. Read more »