- Stage Rush takes a road trip to Pennsylvania to see the first-ever high school production of Spring Awakening
- Win tickets to see An Evening with Patti LuPone and Mandy Patinkin
- Broadway grosses
What do you think, Rushers? Do you think Spring Awakening should be performed in more high schools? Do you think it’s an appropriate musical for high school students? How do you think the show should be adapted for a high school setting? Leave your thoughts in the comments below!
***This giveaway has concluded***
Two of Broadway’s biggest names are sharing the stage together in one fantastic concert. Patti LuPone and Mandy Patinkin, who both rose to stardom and won Tonys for their performances in Evita over 30 years ago have reunited for a Broadway concert event. Stage Rush is hooking up one lucky winner with a pair of tickets to see the show.
Here are the easy steps you need to take to have your chance to win these tickets:
- Enter on Facebook by writing on Stage Rush’s Facebook wall
- Enter on Twitter by retweeting a link to the An Evening with Patti LuPone and Mandy Patinkin contest page (a retweet button is located at the top of this page) OR one of Stage Rush’s tweets about the contest (@StageRush must be mentioned somewhere within your tweet, or else we won’t receive your entry)
- Subscribe to Stage Rush’s weekly newsletter. (Previous subscribers will automatically be entered into the contest.)
You can enter this contest one time via each method. So if you enter through Facebook, Twitter, and the newsletter subscription, you will have three entries in the contest. No more than three entries per person will count. If you play through Facebook, you must be able to be contacted via private message. If you play through Twitter, I must be able to direct message (DM) you (you must be following @StageRush in order for this to happen). The winners must acknowledge their acceptance of the tickets within 24 hours of being contacted, otherwise new winners will be chosen.
The giveaway will end on Friday, December 2. I will notify the winners through email, Facebook, and/or Twitter private message. The winners must be able to attend the show during a Monday through Friday performance between December 5, 2011 through January 12, 2012 at the Barrymore Theatre. (Performances for the dates of December 26 through January 2 are not available.) The tickets are not valid for resale.
Tickets are provided by An Evening with Patti LuPone and Mandy Patinkin.
She overthrew Ethel Merman as the top Mamma Rose and he avenged the death of his father while rescuing a princess. But before Patti LuPone was lauded in Gypsy and Mandy Patinkin won hearts in The Princess Bride, they both vaulted to fame and won Tony Awards for their performances in Evita in 1979. These two powerhouses, who are close friends and frequent collaborators, join forces for the Broadway concert event An Evening with Patti LuPone and Mandy Patinkin that covers music from some of their best shows and some that just sound damn good coming out of their mouths.
The No. 1 Reason To See An Evening with Patti LuPone and Mandy Patinkin: The Evita set Read more
(Using an iPhone or iPad? Watch on YouTube)
- The great career stories of Patti LuPone: A Memoir
- The best soundbites from the audiobook of Patti LuPone’s memoir
- Saying goodbye to Next to Normal
- Broadway grosses
What do you think, Rushers? Have you read Patti LuPone’s memoir? What do you think was her best story? Was she unfair to some of the people she takes aim at in the book? What was your favorite Patti soundbite? How do you say goodbye to a show that’s closing? Leave your thoughts and ideas in the comments below!
- Revisiting James T. Lane, currently a Scottsboro Boy
- Women on the Verge of a Nervous Breakdown suffers the A-list cast curse
- Broadway grosses
Well Rushers, what do you think of James’ Kander and Ebb switcheroo? Have you seen him in Scottsboro Boys? Do you feel the same way I do about Women on the Verge? Leave your thoughts and ideas in the comments below! And don’t forget to follow Stage Rush on Facebook and Twitter for on-the-go news updates.
There’s a lot happening on stage at Women on the Verge of a Nervous Breakdown, but unfortunately, not enough of the right things. This new David Yazbek and Jeffrey Lane musical is jam-packed with Broadway A-listers, but unfortunately, Broadway’s best actors don’t write. Which asks the question: why would the likes of Patti LuPone, Brian Stokes Mitchell, and Sherie Rene Scott sign on to a show with such poor writing?
Based on the 1988 Pedro Almodovar film of the same name, the story finds Pepa (Scott) dumped via answering machine by her lover Ivan (Mitchell). The message sends her into a “Why me??” rampage across Madrid, in which she meets Ivan’s wife, Lucia (LuPone), who is just as “Why me??”—only funnier. Pepa’s airhead of a pal (Laura Benanti) finds out she might be dating a terrorist and Lucia’s son’s fiancée (Nikka Graff Lanzarone) thinks her future husband might have separation issues with his mother, and before you know it, they’re all crying “Why me??”
Why this show? Why now? Why would Yazbek, Lane, and director Barlett Sher (of the fantastic South Pacific revival) unite this cast for such a paper-thin musical? Since the show is only scheduled to run till only the end of January, perhaps it’s because these actors figured this would be an easy showcase. And it is—no one in the cast breaks a sweat.
Scott gives a vacant performance as Pepa, unable even to make her character’s whininess authentic. Lanzarone gives off a “Why am I even here?” air to her performance. The fantastic de’Adre Aziza (Passing Strange) isn’t given anything to work with. (She understudies the role of Pepa, which I would be very keen on seeing.)
No one in Women on the Verge is given much character depth. That said, Patti LuPone makes a refreshing switch from her usual weighty roles and absolutely relishes in her eccentric Lucia. Whether she’s shamelessly ripping off a wig or standing in front of a Picasso painting and declaring how terrible she looks, LuPone is having a blast on stage, and thus gives the audience some of the evening’s few charms. Danny Burstein, hot off his last Sher collaboration with South Pacific, can once again be counted upon to bring the charm. His Taxi Driver doesn’t do much but spin Pepa around the stage in a crazy cab a few times, but each time is a welcome arrival. The real credit in the cast goes to Benanti, who is a riot as the model Candela. She’s a delightful twit with perfect timing, hilarious facial twists, and spot-on physical comedy. She delivers the best number of the show with “Model Behavior,” as she leaves a call-screening Pepa an innumerable amount of I-need-your-help voicemails. Read more
- Broadway on Broadway concert lacks new material
- Stage Rush’s top 3 most-anticipated musicals of the fall
- Diving into John Tartaglia’s mind in Imaginocean
- Broadway grosses
Were you at Broadway on Broadway, Rushers? Did you love the concert, or were you left wanting more performances from new shows? What show opening this fall are you most excited for? Have you seen Imaginocean? Leave your thoughts and questions in the comments!