A quality family drama can be a greatly effective play because everyone in the audience can relate in some aspect. Geoffrey Nauffts’ new dramedy, Next Fall, has many entrance points of reliability. Not everyone in the audience will relate to the homosexual relationship at the center of the play. Not everyone will relate to the various religious stances held by the characters in the play. What everyone will relate to, however, is the common denominator of religion in our lives and how it influences our views.
Just like A Steady Rain, which boasted two huge Hollywood names, people are coming out in droves to see Scarlett Johansson and Liev Schreiber in this revival of the Arthur Miller play. Last week, it sold 102 percent of its tickets! Being that there are only six weeks left to the production’s run and I was well aware of the demand for this show, I decided to be very cautious with this rush. I’m honestly shocked that Bridge has a rush policy at all, with the rate they’re selling. It’s a general rush that goes on sale when the box office opens for $26.50 a piece, up to two tickets.
I arrived at the Cort Theatre at 8:30 a.m. and was the third person in line. The Cort has a nice, large overhang that sheltered us from the rain. Once 9 a.m. hit, the rush line grew fast, eventually adding up to about 30 people. I could tell the rushers that were beyond tenth in line were getting antsy as to whether they would be getting a seat. People even began querying the front section of the line, asking who was purchasing tickets for the matinee or the evening show. It was then that I was content with my decision to get there early, because I knew I was getting a ticket and didn’t have to worry. It was a comforting thought, and made for a very easy rush. The payoff was even larger when I got my ticket, which was for a front row orchestra seat on the aisle of the center section. I thought it was a mistake at first! The idea of seeing Johansson and Schreiber perform that close was incredibly exciting. It turns out, the front row of the Cort is extremely close to the stage, which is also quite high. But luckily, the actors stand further upstage for most of the show, so they were visible. I didn’t need a giraffe neck like I thought, after all. Read more