Memphis

Some great rock musicals have made their way to Broadway in the “post Rent” era. Spring Awakening, Passing Strange, and Next to Normal have all piqued my interest in the evolution of the Broadway musical. With Memphis billed as a story about “the birth of rock and roll,” I was expecting to tack another show onto this list. And I had reason to think so.

While I was standing outside the Shubert Theatre in the brisk October morning air, two people walked by me, noticed I was waiting for tickets, and exuberantly told me what a treat I was in for. This kind of man-on-the-street feedback was surprising to me, particularly for a show that was still in previews. I felt so good about myself! I was the first rusher in line at 9:30 a.m. (come on people; you’re making this too easy!) and only had to wait a half hour to get front row tickets to a show that two New Yorkers thought was great.

The student rush policy for Memphis was a great one. It was the good ol’ two-tickets-in-the-front-row-for-$26.50-each deal. The reason I say “was” though is because the policy was only in effect during previews (Memphis opened last night). When contacted, publicists for Memphis told me that there are no official plans to instate a rush post-opening, but there has been talk of it and it will depend on week-to-week sale monitoring. So I guess that means all you rushers waiting to see this new musical will have to hope the show isn’t a sellout. Memphis sold just over 91 percent of its tickets last week, so the likelihood of a rush being reinstated soon isn’t looking too good. Read more