PhilDev’s Suites By Sondheim benefit concert at Lincoln Center was like reaching into a cereal box of Stephen Sondheim’s Lucky Charms and scooping out a handful of marshmallows. The concert, held at Alice Tully Hall on November 7 to benefit the Philippine Development Foundation, featured songs only among the composer’s biggest hits. Performing the sweeping
numbers were 36 Broadway actors of Filipino descent, including concert headliner Lea Salonga (Miss Saigon), Adam Jacobs (The Lion King), T.V. Carpio (Spider-Man: Turn Off the Dark), and Ali Ewoldt (Les Miserables).
Jose Llana led a lively ensemble opener with the title song to Company, followed by a cutesy “You Could Drive A Person Crazy” by Carpio, Liz Casola, and Jaygee Macapugay. Llana closed out the Company set with a solid “Being Alive.”
The West Side Story segment was among the strongest of the night, reuniting Jacobs and Ewoldt, who played Marius and Cosette in the 2006 revival of Les Miserables. They sang a shiver-inducing “One Hand, One Heart,” which exemplified their pitch-perfect chemistry. Joan Almedilla joined Ewoldt for a ferocious “A Boy Like That,” which they beautifully juxtaposed with a haunting “I Have A Love.” Read more
Daily Bugle News Flash! Spider-Man: Turn Off The Dark is not the best musical ever written. However, the venomous reviews and general bad press seem to be overshadowing the aspects that director Julie Taymor and her creative team have gotten right. Here are five reasons why Spider-Man is worth the money.
1. Flying: This is the spectacle that the show rests on, and it is something to be seen. Aerial designers Scott Rogers and Jaque Paquin succeeded in making me feel like a little kid again, yearning for the ability to fly. I’m sure I wasn’t the only gaping-mouthed patron who was left insanely jealous of the actors that got to perform the aerial stunts. Despite very-visible cables (synthetic spider silk hasn’t been successfully manufactured in large quantities yet), Spidey and Green Goblin slingshot around the Foxwoods Theatre with shocking fluidity. They even reach every side of the two mezzanines, so that no audience block is left out of the action.
2. Sets: Scenic designer George Tsypin’s has created a cartoonish, sometimes whimsical world for Peter Parker and his enemies. But Tsypin’s real achievement with his designs is with the unique use of angles and perspective. We’re treated to two views of New York’s famous Chrysler Building: a standard tip-of, head-on shot and then a mind-bending aerial view, gazing down to the taxi-lined streets below. The Brooklyn Bridge juts out toward the audience with a dizzying height illusion. Climactic-moment scenes aside, Tsypin even turns a ho-hum stroll for Peter (Reeve Carney) and Mary Jane (Jennifer Damiano) to their Queens row homes into a direction-shifting stunner. Read more