In this second part of Ensemble Watch, Melissa Rae Mahon and James T. Lane of Chicago discuss stunt casting, learning numerous versions of choreography for numbers, and perform their favorite dance steps from the show.
Did what Melissa and James said about knowing numerous versions of musical numbers surprise you, Rushers? How do you feel about some choreography being “watered down” for certain stars?
Kicking off Ensemble Watch, the series that highlights ensemble actors in Broadway’s hottest companies, Melissa Rae Mahon and James T. Lane dish on life in the classic musical Chicago and how they stay fit for those revealing costumes.
A sneak peak at Part 2.
Rushers, have you seen Melissa open Chicago? Did you catch James when he was in A Chorus Line? Are you surprised that these two didn’t describe a rigorous workout routine for the show? Leave it in the comments! Be sure to check back at Stage Rush for Part 2 of my interview with Melissa and James!
***VIDEO AFTER JUMP: Dame Edna heckles an innocent waitress who gets too close*** Read more
At a time in our culture when the man-boy is king at the box office, it seems to be the hip thing to discover what makes a man like this and what does it take for him to shake the first part of that moniker. reasons to be pretty is Neil LaBute’s take on the man boy, and how to smack the child right out of him (perhaps literally).
The student rush policy for reasons to be pretty states that the tickets go on sale two hours prior to the performance. I arrived at the Lyceum Theatre at 5 p.m., book in hand, ready to wait an hour for tickets to be released (hoping I’d be permitted to wait in the lobby instead of under the threatening clouds). I went to the ticket window to check that there were rush tickets available for the performance and the attendant surprisingly initiated the transaction – an hour early. That’s not the policy, but I’m certainly not going to complain. I was in and out, $26.50 third row balcony seat in hand. That’s the third tier in the Lyceum, which is so high and steep that it makes my palms sweat. The seats weren’t bad, but for a play that’s been playing to 42 percent attendance for the past three weeks, I’d have thought rush seats would have been closer. However, the producers seem quite discount friendly; in addition to the student rush policy, there are show promoters around Times Square offering $35-ticket coupons to the production. Read more