It isn’t often that we see a stage family that gets along. Recently, we’ve seen the Goodmans in Next to Normal throw things at each other (OK, maybe only Alice Ripley does), and the Gordons of Dividing The Estate are at each others’ throats, as are the Westins of August: Osage County, literally. That the King family in Broke-ology is so close and jovial contributes to the warmth that emanates through this play by Nathan Louis Jackson. But hey, I didn’t say they were free of problems.
This Lincoln Center Theater production finds Malcolm (Alano Miller) returning home to his brother and father in Kansas City, Kansas, just after completing his master’s degree and securing a local job for the summer at the Environmental Protection Agency. His blue-collar father and restaurant-employee brother are both happy for his achievements, and even happier that he’s home. Both are in need of his aid, and assume Malcolm’s summer job means an indefinite stay.
Patriarch William (Wendell Pierce) is suffering from multiple sclerosis, and the homebound son, Ennis (Francois Battiste), is his caretaker. Ennis also has a pregnant girlfriend, and it doesn’t take long to see that he is stretched thin by his responsibilities. Malcolm is wrecked with guilt, torn between his needy family and even higher career aspirations tugging at him from Connecticut. Read more