Before seeing 33 Variations, Moises Kaufman’s play exploring why Ludwig van Beethoven composed the titular arrangements seems like a big “No, thank you.” But sometimes we have to look deeper to find the gem that lies within something. Kaufman and Beethoven did the same thing.
I took a chance by arriving at the Eugene O’Neill Theatre at 9 a.m. to wait for rush tickets, instead of the more customary (and safe) 8 a.m. I didn’t think the billing of Jane Fonda would pull a big audience from people my age, and the play has been performing to average house capacities of under 58 percent for the past four weeks. Those factors make for no guarantee that there won’t be a… well, rush for rush, but in this case, my guess was accurate. Only two other rushers joined me in line a few minutes before the box office opened. 33 Variations participates in the rare policy of only distributing one rush ticket per valid ID. Who goes to see a play alone?! Yes, I often do; but attending a theater performance is usually a social event, which a rush policy shouldn’t hinder. In addition, the ticket price is $30 – an annoying $4.50 above the standard amount. However, the tickets are in the front row, center section. I was shocked they were giving those seats for this play. The view was fantastic, and being that close to a film legend like Fonda was a special experience. Read more