Although not yet a marquee name, Lindsay Mendez sits comfortably atop many Broadway fans’ lists of favorite performers. For those unfamiliar with her, that’s all changing thanks to her well-received performance in this season’s revival of Godspell, as well as her endless lineup of cabaret gigs. In her latest concert engagement, Mendez headlines with her jazz partner Marco Paguia January 18 at Joe’s Pub. Before a performance of Godspell (but not after a day of workshop and concert rehearsal), Mendez sat down with Stage Rush to discuss the endless amounts of energy required for Godspell, singing with her Broadway A-list friend (and former roommate) Sierra Boggess at the ASTEP New York City Christmas concert, and whether she sees above-the-title billing in her future.
This show looks like it’s so much fun to perform. What’s been the best moment so far?
I’d say opening night, just because it was such a mammoth task to take on redoing this show. In the beginning of rehearsal, we all thought this could either be really awesome and fun, or it was going to be really bad. It took a while for it to come together. When we opened, the show was fluid and wonderful.
Since your character is called Lindsay, what qualities of Lindsay Mendez are in the character you play in Godspell?
I think the Lindsay in the show has a lot of joy and definitely wants to go her own way. She’s also very materialistic. I don’t think I’m quite as bad as her, in that respect. But I really like playing her because I get to wear really fancy things. I don’t wear anything this nice. There aren’t many things that differ from her and I and it’s been really fun to have the audience get to know who I really am.
Is that difficult to play yourself?
I feel like I always bring a huge part of myself to any role I play. In Everyday Rapture, I played myself as well, in a way. I’m kind of used to playing myself. It’s not as foreign to me.
This is such a vocally heavy show with sustained energy. How is your voice and energy level holding up?
My body is more tired than my voice. The first couple weeks, the cast was saying there’s no way we’re going to be able to do this. We’re on stage the whole time; we sing every song; we never get water; we never get a break. I had to figure out how to manage. When you’re doing a Broadway show, it can start to feel like jail, in a way. All you do is wake up and hope you have enough of a voice to do the show and that your body feels good enough to perform at night. I’m trying to find the balance of having my own life in the daytime, then coming here at night and doing a great job. It’s an ongoing learning process for me. Read more