Daily Bugle News Flash! Spider-Man: Turn Off The Dark is not the best musical ever written. However, the venomous reviews and general bad press seem to be overshadowing the aspects that director Julie Taymor and her creative team have gotten right. Here are five reasons why Spider-Man is worth the money.
1. Flying: This is the spectacle that the show rests on, and it is something to be seen. Aerial designers Scott Rogers and Jaque Paquin succeeded in making me feel like a little kid again, yearning for the ability to fly. I’m sure I wasn’t the only gaping-mouthed patron who was left insanely jealous of the actors that got to perform the aerial stunts. Despite very-visible cables (synthetic spider silk hasn’t been successfully manufactured in large quantities yet), Spidey and Green Goblin slingshot around the Foxwoods Theatre with shocking fluidity. They even reach every side of the two mezzanines, so that no audience block is left out of the action.
2. Sets: Scenic designer George Tsypin’s has created a cartoonish, sometimes whimsical world for Peter Parker and his enemies. But Tsypin’s real achievement with his designs is with the unique use of angles and perspective. We’re treated to two views of New York’s famous Chrysler Building: a standard tip-of, head-on shot and then a mind-bending aerial view, gazing down to the taxi-lined streets below. The Brooklyn Bridge juts out toward the audience with a dizzying height illusion. Climactic-moment scenes aside, Tsypin even turns a ho-hum stroll for Peter (Reeve Carney) and Mary Jane (Jennifer Damiano) to their Queens row homes into a direction-shifting stunner. Read more
- Spider-Man: Turn Off The Dark plays its first, much talked about, preview
- Stage Rush favorites The Scottsboro Boys and Bloody Bloody Andrew Jackson post closing notices
- American Idiot trying to hold on, announces Billie Joe Armstrong returning for 50 performances
- Broadway grosses
What do you think, Rushers? How did Spider-Man sound to you after all the coverage from the first preview? Are you as crushed as I am that Scottsboro and Bloody Bloody are closing so prematurely? Do you think Billie Joe’s return to American Idiot will keep the show afloat? Take solace with other concerned Rushers in the comments below. Let’s all have a group hug!
- Duncan Sheik plays second show at City Winery
- It’s official: Jennifer Damiano will play Mary Jane in Spider-Man: Turn Off the Dark
- Broadway in Bryant Park ends with American Idiot and La Cage aux Folles
- Broadway grosses
What do you think, Rushers? Are you prac-ti-ca-lly per-fect? Did you catch Duncan Sheik’s concert at City Winery? Do you think he should continue with the covers or return fully to performing his solo work? Are you on board for Jennifer Damiano joining Spider-Man? Did you see the finale of Broadway in Bryant Park? Which week was your favorite this summer? Leave your thoughts and questions in the comments below!
When Jennifer Damiano departs Next to Normal tonight, she will be beginning a new chapter in her career: the next big project. While no official statement on casting has been made, the New York Times reports that Damiano has signed on to play Mary Jane in the upcoming mega musical Spider-Man: Turn Off the Dark. Despite the mountain of publicity this will bring her, is becoming Spider-Man’s girlfriend the best move for a Tony-nominated actress known for playing three-dimensional women?
Since debuting on Broadway in the original cast of Spring Awakening in the ensemble and as an understudy, Damiano’s career has included co-headlining concerts at Joe’s Pub and her acclaimed performance as Natalie in the Pulitzer Prize-winning Next to Normal. These are tremendous accomplishments for a 19-year-old actress. Her involvement in Spring Awakening and Next to Normal, both Tony nominees for Best Musical (Spring won in 2007), both box offices successes and beloved by critics, has established her as an artsy-type actress. Starring in Spider-Man will shake up this trend.
Spring Awakening and Next to Normal were both “indie” musicals that began off Broadway. Neither were expected to achieve the level of success that they did when they transferred. Granted, Spider-Man: Turn Off the Dark has been plagued by production and financial issues. It’s original big-name stars—Evan Rachel Wood, who was originally supposed to play Mary Jane, and Alan Cumming as Green Goblin—dropped out. Just this Friday, Broadway’s largest PR firm Boneau/Bryan-Brown resigned from Spider-Man’s account. Nevertheless, the show has Marvel Entertainment backing it. It has been reported that the undertaking of this musical has cost upwards of $50 million. This is no Spring Awakening or Next to Normal. Read more
- Striking out at Next to Normal during stars’ final week
- Missing Memphis’s Montego Glover at Broadway in Bryant Park
- Bloody Bloody Andrew Jackson announces Broadway transfer in September
- Broadway grosses
Rushers, what did you think of Brian D’Arcy James as Dan in Next to Normal? Please tell me, since I didn’t see him. What did you think of this week’s Broadway in Bryant Park? Were you disappointed Montego Glover was absent, or were you thrilled to see Danielle Williamson? Are you getting your eyeliner out in anticipation of Bloody Bloody Andrew Jackson’s Broadway transfer in September? Leave all your excitement, woes, and thoughts in the comments!
The rush for Next to Normal is about as organized as a rush can get. Let this one stand as the example for all rushes. Theater employees distribute wristband numbers to the people in line (no, you don’t have to wear the wristband). This eliminates line cutting and allows people to run briefly to the bathroom or get a snack. I can’t express how many times the pals of people in front of me have joined them in line while I’ve been in place for hours. This isn’t a problem on the Next to Normal rush (just watch that it doesn’t happen before the wristbands are distributed).
Not only is this rush organized, but it’s generous. This is a general rush, meaning you don’t have to be a student to take part. The tickets are $25 a piece (each person can buy two, and the box office doesn’t tack on the usual $1.50 facilities charge). Furthermore, the seats are in the front row, which is a special experience for this show (more on this later). I’ve heard that once the front row is filled, rushers are put in the mezzanine and sometimes a box. Read more