***This giveaway has concluded***
Some of the most exciting plays to see are the ones dealing with timely subjects. Standing On Ceremony: The Gay Marriage Plays is a showcase of short plays, both comedic and dramatic, about same-sex marriage. The production features an A-list roster of writers, including Moises Kaufman and Neil Labute. The impressive cast features Beth Leavel, Craig Bierko, Richard Thomas, Harriet Harris, and Mark Consuelos. Stage Rush is giving away a pair of tickets to this new theatrical event.
- Enter on Facebook by writing on Stage Rush’s Facebook wall
- Enter on Twitter by retweeting a link to the Standing On Ceremony: The Gay Marriage Plays contest page (a retweet button is located at the top of this page) OR one of Stage Rush’s tweets about the contest (@StageRush must be mentioned somewhere within your tweet, or else we won’t receive your entry)
- Subscribe to Stage Rush’s weekly newsletter. (Previous subscribers will automatically be entered into the contest.)
You can enter this contest one time via each method. So if you enter through Facebook, Twitter, and the newsletter subscription, you will have three entries in the contest. No more than three entries per person will count. If you play through Facebook, you must be able to be contacted via private message. If you play through Twitter, I must be able to direct message (DM) you (you must be following @StageRush in order for this to happen). The winners must acknowledge their acceptance of the tickets within 24 hours of being contacted, otherwise new winners will be chosen.
The giveaway will end on Friday, November 11. I will notify the winners through email, Facebook, and/or Twitter private message. The winners must be able to attend the show on a Monday, Tuesday, Wednesday, or Thursday performance between November 12 and December 18, 2011 at the Minetta Lane Theatre. The tickets are not valid for resale.
Tickets are provided by Standing On Ceremony: The Gay Marriage Plays.
Tuesday morning, Brad Fleischer woke up to a text message on his phone from a friend that said, “bleep the Tonys.” Fleischer thought, ‘What does that mean?’ Since it was the morning the Tony Award nominations were announced, Fleischer knew it couldn’t be good. Fleischer costars with Robin Williams in Bengal Tiger at the Baghdad Zoo, which received three Tony nominations—Best Featured Actor in a Play for Arian Moayed, Lighting, and Sound Design. While the Bengal Tiger team is honored with the nominations, it was expected that the show, written by Rajiv Joseph, would be a contender in more competitive categories like Best Play, Best Direction, and also score a Best Leading Actor nomination for Williams. Fleischer, who seemed undaunted by the Tony news, said he was satisfied simply performing the show for its audiences, but noted a desire for the creative time to be recognized.
“I am on stage with the best young actors I’ve ever worked with, and Robin Williams—I have zero to complain about,” Fleischer said. “But it’s hard because we’re all a part of this play and we feel for Rajiv and Moises [Kaufman, the director]. This play wouldn’t exist without them.”
Bengal Tiger, which was a finalist for the Pulitzer Prize for Drama in 2010, premiered at the Kirk Douglas Theatre in Culver City, California in 2009 with the same cast (minus Williams). It moved to the Mark Taper Forum in Los Angeles before announcing its Broadway run with the A-list Hollywood star in the title role. Fleischer called the experience a thrilling ride with no regrets. “The Tonys are that weird feeling that makes it seem like a hitch, but if the crowds keep coming, that’s all that matters,” Fleischer said. “We’re doing this for the audience.”
The Tony nominations were not the only significant event to impact the cast of Bengal Tiger this week. The play takes place during U.S. combat in Iraq in 2003. Not surprisingly, when the news broke Sunday night that Osama bin Laden had been killed in Pakistan, like the rest of the world, Fleischer was floored. “Whatever your reaction is to bin Laden’s death, as you start talking about it with your friends, you just start remembering the moments of the war,” Fleischer said. “My first thought was that I am so proud to be a part of this production at this time. You do theater to hopefully be moved by things. I am beyond interested to see how this news is going to affect our performances this week.”
VIDEO: Brad Fleischer talks about working with Robin Williams, the excitement (and reality) of Broadway, and stage stunts going awry.
Before seeing 33 Variations, Moises Kaufman’s play exploring why Ludwig van Beethoven composed the titular arrangements seems like a big “No, thank you.” But sometimes we have to look deeper to find the gem that lies within something. Kaufman and Beethoven did the same thing.
I took a chance by arriving at the Eugene O’Neill Theatre at 9 a.m. to wait for rush tickets, instead of the more customary (and safe) 8 a.m. I didn’t think the billing of Jane Fonda would pull a big audience from people my age, and the play has been performing to average house capacities of under 58 percent for the past four weeks. Those factors make for no guarantee that there won’t be a… well, rush for rush, but in this case, my guess was accurate. Only two other rushers joined me in line a few minutes before the box office opened. 33 Variations participates in the rare policy of only distributing one rush ticket per valid ID. Who goes to see a play alone?! Yes, I often do; but attending a theater performance is usually a social event, which a rush policy shouldn’t hinder. In addition, the ticket price is $30 – an annoying $4.50 above the standard amount. However, the tickets are in the front row, center section. I was shocked they were giving those seats for this play. The view was fantastic, and being that close to a film legend like Fonda was a special experience. Read more