Stage Rush TV: Episode 87
Talking points:
- Louis Hobson shares Next to Normal memories in his Bonnie & Clyde dressing room
- Stage Rush’s top 3 Broadway moments of 2011
What do you think, Rushers? What was your top Broadway moment in 2011? What are you most looking forward to on Broadway in 2012? Leave your thoughts in the comments below, and have a safe and happy New Year!
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There’s more to Louis Hobson than prescription medication and firearms
Across 733 performances, Louis Hobson played the dual role of the Dr. Madden/Dr. Fine in the Pulitzer Prize and Tony Award-winning musical Next to Normal. In addition to out-of-town iterations, Hobson was one of two actors to stay with the show through its entire Broadway run. After a stint in the brief run of The People in the Picture last spring, the former Seattle theater star is currently chasing down Jeremy Jordan and Laura Osnes in Bonnie & Clyde as police officer Ted Hinton (closing December 30). Hobson sat down with Stage Rush to discuss firearms, the highest highs of Next to Normal, and the satisfaction level of supporting roles on Broadway.
Ted Hinton is an interesting role in that you’re kind of the bad guy. The audience doesn’t root for you, but you’re on the side of the law; you’re doing the right thing. Sounds like a difficult mindset to get into.
Our conversation from the first rehearsal was that there is no antagonist in this show. If you need to choose an antagonist, you can say it’s society or the circumstances that everyone’s in. I wanted to push Ted as close to the middle of that line between right and wrong. I think that Clyde falls on that line as well. To me, it’s more interesting that no one in the show is all good and no one is all bad.
What’s it like playing someone who actually lived?
Ted Hinton was the last surviving member of the group that brought Bonnie and Clyde down. Ted in the show is sort of a composite of several different people. What he needed to be for this story was a little different than what he was in real life. But it’s always nice to start with something that’s real.
Is it fun to play cops and robbers on Broadway?
It’s fun having a gun. It gives you so much power. Unfortunately, I don’t get to shoot mine. Ted is one of the few guys that doesn’t get to shoot his gun. We have these big-ass guns [during the shootout scene at the end], but they don’t actually fire; they’re prop guns. Everything in that scene is firing sound effects. I don’t get to fire a blank in the show, and… that’s alright. [mock disappointed voice]
The gunshots in the show are jarring for the audience. Is it still startling for you?
We jumped when we were first [firing the blanks]. These are real bullets; they just don’t have the metal tips that fire the projectile. We were playing around with a full load of gun powder, then a half load, a quarter, an eighth—all to test different volumes. I can live with this volume now; it was so loud at the beginning. I’ve gotten used to it. Every once in a while, I get that ringing in my ears. But it’s much worse for Jeremy and Laura.
VIDEO: Louis Hobson talks about acting opposite Tony winner Alice Ripley in Next to Normal
Review: Catch Me If You Can
A conman has arrived at the Neil Simon Theatre, and his story blows up on stage in spectacular Broadway musical fashion. Catch Me If You Can, based on the Steven Spielberg film of how a teenager—Frank Abagnale Jr.—forged millions of dollars in checks and created false identities that included an airplane pilot, doctor, and lawyer. While the musical (from the composing team of Hairspray) falters in storytelling and tunes, it makes up for it with its stellar cast and production value.
Front and center of Catch Me If You Can is Aaron Tveit in a star-making turn as Frank Jr. Last seen on Broadway as Gabe in Next to Normal, Tveit’s performance solidifies him as a bona fide star, worthy of stage and screen. With killer good looks, endless charm, and one of the strongest voices on Broadway, the role of Frank Jr. allows Tveit to hijack the production, and he takes advantage of every moment. Not only does Tveit execute every dance step and note with tenacity, but his performance exhibits impressive endurance, as he is in nearly every scene. Tveit makes Frank Jr. crafty, but conveys much needed heart with the characters closest to him, making him sympathetic to the audience. His is a not-to-be-missed performance of an actor exploding into stardom.
Tveit’s performance has potential to show darker sides of Frank Jr., but the show’s book by Terrence McNally doesn’t allow for it. Catch Me gets too caught up in the sparkle of “Hey, aren’t all these fake identities fun!”, while forgetting that Frank Jr. suffers from deep-routed pain and is committing serious crimes. Read more
Concert recap: At This Performance, October 2011
The latest installment of the At This Performance concert series brought big laughs Sunday night. The concert that gives Broadway understudies and standbys the spotlight saw performers choosing hilarious song selections and telling stories of their careers that had the audience in stitches. Producing artistic director and host of the concert series Stephen DeAngelis noted the importance of understudies in theater, acknowledging their future star power. Speaking of what Broadway would be like without these actors, DeAngelis said, “They’d be dying Snooki green and putting a broom in her hand.”
The night kicked off with At This Performance’s youngest performer ever—11-year-old Logan Rowland from The Addams Family. He sang Pugsley’s solo “What If” with polish and confidence while his parents video taped and took pictures from the audience. Rowland told the story of his first time going on in the role—co-star Nathan Lane made an announcement to the audience during the show’s curtain call that they had just witnessed his Broadway debut. Rowland’s Addams co-stars Mo Brady and Lisa M. Karlin duetted with “Crazier Than You,” but didn’t live up to the chemistry displayed by Colin Cunliffe and Jessica Lea Patty when they sang the song last October.
Brady’s solo follow-up song was a song called “I Won’t Have To Anymore.” Easily the night’s most emotional performance, Brady sang the story of a young man preparing to flee the home of his verbally and physically abusive father. Showing great emotional depth and vocal range, Brady’s performance was among the night’s most memorable.
Video: The Addams Family‘s Mo Brady sings “I Won’t Have To Anymore”
(Using an iPhone or iPad? Watch on YouTube)
Stage Rush TV: Episode 46
(Using an iPhone or iPad? Watch on YouTube)
Talking points:
- The great career stories of Patti LuPone: A Memoir
- The best soundbites from the audiobook of Patti LuPone’s memoir
- Saying goodbye to Next to Normal
- Broadway grosses
What do you think, Rushers? Have you read Patti LuPone’s memoir? What do you think was her best story? Was she unfair to some of the people she takes aim at in the book? What was your favorite Patti soundbite? How do you say goodbye to a show that’s closing? Leave your thoughts and ideas in the comments below!
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Stage Rush TV: Episode 39
Talking points:
- Emotions run high at The Merchant of Venice opening
- Catch Me If You Can announces cast
- Next to Normal to close January 16
- 2011 Tony Awards will be held at the Beacon Theatre
- Broadway grosses
Have you seen Merchant of Venice yet, Rushers? Are you excited to see Aaron Tveit in Catch Me If You Can? What do you think of Next to Normal’s closing notice? Is sad, or a triumph? Do you like the Beacon Theatre as the new home of the Tony Awards (at least for 2011)? Leave your thoughts and ideas in the comments!
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Stage Rush TV: Episode 23
Talking points:
- Corrected from last week: I actually DID get to see Brian d’Arcy James in Next to Normal
- Camping out all night on the street for Shakespeare in the Park tickets
- Swooning over A Little Night Music’s Leigh Ann Larkin at Broadway in Bryant Park
- Seeing Bernadette Peters and Elaine Stritch in Night Music
- The Night Music/Promises, Promises ticket giveaway ends July 30. Enter now!
- Broadway grosses
Were any of you Rushers at the Next to Normal lottery for Alice Ripley, Jennifer Damiano, and Brian d’Arcy James’ final performance? Did any of you win? Who has camped out for Shakespeare in the Park tickets? Do you think it’s worth it? Who has seen Bernadette Peter and Elaine Stritch in A Little Night Music? Who else, like me, has a crush on Leigh Ann Larkin? Leave your thoughts, questions, and ideas in the comments!
Career analysis: Spider-Man poses sticky situation for Jennifer Damiano
When Jennifer Damiano departs Next to Normal tonight, she will be beginning a new chapter in her career: the next big project. While no official statement on casting has been made, the New York Times reports that Damiano has signed on to play Mary Jane in the upcoming mega musical Spider-Man: Turn Off the Dark. Despite the mountain of publicity this will bring her, is becoming Spider-Man’s girlfriend the best move for a Tony-nominated actress known for playing three-dimensional women?
Since debuting on Broadway in the original cast of Spring Awakening in the ensemble and as an understudy, Damiano’s career has included co-headlining concerts at Joe’s Pub and her acclaimed performance as Natalie in the Pulitzer Prize-winning Next to Normal. These are tremendous accomplishments for a 19-year-old actress. Her involvement in Spring Awakening and Next to Normal, both Tony nominees for Best Musical (Spring won in 2007), both box offices successes and beloved by critics, has established her as an artsy-type actress. Starring in Spider-Man will shake up this trend.
Spring Awakening and Next to Normal were both “indie” musicals that began off Broadway. Neither were expected to achieve the level of success that they did when they transferred. Granted, Spider-Man: Turn Off the Dark has been plagued by production and financial issues. It’s original big-name stars—Evan Rachel Wood, who was originally supposed to play Mary Jane, and Alan Cumming as Green Goblin—dropped out. Just this Friday, Broadway’s largest PR firm Boneau/Bryan-Brown resigned from Spider-Man’s account. Nevertheless, the show has Marvel Entertainment backing it. It has been reported that the undertaking of this musical has cost upwards of $50 million. This is no Spring Awakening or Next to Normal. Read more
Stage Rush TV: Episode 22
Talking points:
- Striking out at Next to Normal during stars’ final week
- Missing Memphis’s Montego Glover at Broadway in Bryant Park
- Bloody Bloody Andrew Jackson announces Broadway transfer in September
- Broadway grosses
Rushers, what did you think of Brian D’Arcy James as Dan in Next to Normal? Please tell me, since I didn’t see him. What did you think of this week’s Broadway in Bryant Park? Were you disappointed Montego Glover was absent, or were you thrilled to see Danielle Williamson? Are you getting your eyeliner out in anticipation of Bloody Bloody Andrew Jackson’s Broadway transfer in September? Leave all your excitement, woes, and thoughts in the comments!
Stage Rush TV: Episode 14
Talking points:
- One of my favorite interviews I’ve done—Tony-winning lighting designer Kevin Adams
- The 2010 ITBA Awards are announced (by Susan Blackwell and The Kid cast)
- Broadway grosses
Rushers, what do you think of Kevin Adams? Did you find what he had to say interesting? Did you geek out about the explanations of his designs like I did? Did some of your favorites win in the ITBA Awards? Please let me know what you’re thinking in the comments!